ID |
Image |
Painting(From A to Z) |
Details |
34657 |
|
A la Mie |
mk94
1891
|
34659 |
|
Alfred la Guigne |
mk94
1894
|
30923 |
|
At the Dressing Table Madame Poupoule |
mk68
1898
|
33212 |
|
Bust of Marcelle Lender |
mk85
1895
|
97674 |
|
Cuadro de Lautrec sobre el parisino Circo Fernando |
1888(1888)
Medium oil on canvas
Dimensions 98 x 161 cm
cyf |
23515 |
|
Dance at the Moulin Rouge (nn03) |
1890
Oil on canvas 115 x 150 cm 45 1/4 x 59 in Philadelphia Museum of Art Philadelphia PA |
45930 |
|
in the circus Fernando, horseman on Weibem horse |
mk178
1888
pastel chalks and Gouache on wood 60x79.5cm |
21107 |
|
Jane Avril Dancing (mk06) |
ca 1892
2' 11 3/4'' x 1' 5 3/4''(85.5 x 45 cm)Bequest of Antonin Personnaz,1937 RF 1937-37 |
34660 |
|
L-Auglais au Moulin-Rouge |
mk94
1892
|
34661 |
|
Le Depart du Qua drille au Moulin Rouge |
mk94
1892
|
34663 |
|
May Milton |
mk94
1895
|
30876 |
|
Miss Eglantine's Troupe |
mk68
Lithograph
New York
Museum of Modern Art
1895-1896
France
|
96324 |
|
Portrait of Emile Bernard |
1886(1886)
Medium oil on canvas
Dimensions 54 X 44.5 cm
cyf |
30875 |
|
The Clowness Cha-u-Kao |
mk68
Oil on cardboard
Paris,Orsay Museum
1895
France
|
33216 |
|
The Jockey |
mk85
1899
|
88484 |
|
The ladies in the brothel dining-room |
1893(1893)
Medium Oil on paperboard
Dimensions 60,3 x 80,5 cm
cjr |
54093 |
|
The Laundress |
mk235
1884-1886
Oil on canvas
93x75cm
|
30877 |
|
The Seated Clowness |
mk68
Lithograph
New York
Museum of Modern Art
1896
France
|
21526 |
|
The Toilette (mk09) |
1896
Oil on cardboard,67 x 54 cm
Paris,Musee d'Orsay |
85861 |
|
Two Women in Nightgowns |
1891(1891)
Medium Oil, essence and pastel on cardboard
Dimensions 62 x 46 cm (24.4 x 18.1 in)
cyf |
34658 |
|
Un Coin du Moulin de la Galette |
mk94
1892
|
34662 |
|
Yvette Guilbert |
mk94
1894
|
|
Henri Toulouse-Lautrec French Post-Impressionist Painter and Printmaker, 1864-1901
Henri de Toulouse-Lautrec, a direct descendant of the counts of Toulouse, was born on Nov. 24, 1864, at Albi. His eccentric father lived in provincial luxury, hunting with falcons and collecting exotic weapons. Henri began to draw at an early age. He suffered a fall in 1878 and broke one femur; in 1879 he fell again and broke the other one. His legs did not heal properly; his torso developed normally, but his legs were permanently deformed.
Encouraged by his first teachers, the animal painters Rene Princeteau and John Lewis Brown, Toulouse-Lautrec decided in 1882 to devote himself to painting, and that year he left for Paris. Enrolling at the Ecole des Beaux-Arts, he entered the studio of Fernand Cormon. In 1884 Toulouse-Lautrec settled in Montmartre, where he stayed from then on, except for short visits to Spain, where he admired the works of El Greco and Diego Velazquez; Belgium; and England, where he visited Oscar Wilde and James McNeill Whistler. At one point Toulouse-Lautrec lived near Edgar Degas, whom he valued above all other contemporary artists and by whom he was influenced. From 1887 his studio was on the Rue Caulaincourt next to the Goupil printshop, where he could see examples of the Japanese prints of which he was so fond.
Toulouse-Lautrec habitually stayed out most of the night, frequenting the many entertainment spots about Montmartre, especially the Moulin Rouge cabaret, and he drank a great deal. His loose living caught up with him: he suffered a breakdown in 1899, and his mother had him committed to an asylum at Neuilly. He recovered and set to work again. He died on Sept. 9, 1901, at the family estate at Malrome.
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